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OPUS 74- FLAINE 2024 Troisième Concert mercredi 24/07/2024

OPUS 74- FLAINE 2024 Troisième Concert mercredi 24/07/2024 Date : MERCREDI 24 JUILLET 2024 à 20H00 Lieu : AUDITORIUM FLAINE Prix : Entrée libre dans la mesure des places disponibles Programme: A.Reicha, Sonate 
Pierre Walter, Basson 
Delphine Armand, Piano F. Schubert, 4 impromptus opus 90 P. I. Tchaikovsky, Grande Sonate opus 37 
Elena Atanasovska, piano Alors en place pour le concert, nous n'attendons que vous !
20/07/2024
Total views: 1
24/07/2024
Basson, piano
AUDITORIUM FLAINE
0
OPUS 74- FLAINE 2024 Deuxième Concert mardi 23/07/2024

OPUS 74- FLAINE 2024 Deuxième Concert mardi 23/07/2024

Date : MARDI 23 JUILLET 2024 à 20H00 Lieu : AUDITORIUM FLAINE Prix : Entrée libre dans la mesure des places disponibles Programme: F. Devienne, Trio n°3 (arrangement JP Rampal) 
Mihi Kim, Laetitia Brault, Miroslav Matejka flütes A. Dvorak, Sonatine opus 100 
Miroslav Mateika Aûte, Bertrand Giraud Piano F. Poulenc, Dialogues des Carmélites : "'Encore ces maudites fèves" 
Soeur Constance: Welléda Muller, soprano 
Blanche : Julie Horreaux, soprano 
Thomas Dupont, piano L. Bernstein Spring will come again, 
extrait de The skin of our teeth 
Julie Horreaux soprano, Welléda Muller soprano, Thomas Dupont piano L. Bernstein extrait de Peter Pan Dream with me tonight 
Julie Horreaux soprano, Welléda Muller soprano 
Thomas Dupont piano, Sebastien Giacomi cello L. Janacek, Dans les brumes 
Michele Renoul, piano E. Grieg Sonate n° 3 opus 45 
Yuriko Kase violon, Ryoko Naef piano Alors en place pour le concert, nous n'attendons que vous !
20/07/2024
Total views: 5
23/07/2024
All
AUDITORIUM FLAINE
0

OPUS 74- FLAINE 2024 Premier Concert lundi 22/07/2024

OPUS 74- FLAINE 2024 Premier Concert lundi 22/07/2024 Date : LUNDI 22 JUILLET 2024 à 20H00 Lieu : AUDITORIUM FLAINE Prix : Entrée libre dans la mesure des places disponibles Programme: F. Liszt Les Préludes,
Duo Spina Benignetti,  piano 4 mains  T.A. Vitali/L. Charlier, Chaconne J. Hubay, Hejre Kati Scène de la Csardas n*4 Oreste De Maurizi, Mihali et Sarba Staccato Duo Lesage, violon et piano   P. Pincemaille, Sonatine M. Dranishnikova, Poème E. Piazzolla, Escolaso Hélène Gueuret, Hautbois ; Delphine Armand, Piano   Chopin Nocturne Posthume, Polonaise Fantaisie opus 61 Laurence Oldak, piano
20/07/2024
Total views: 12
22/07/2024
piano violon
AUDITORIUM FLAINE
0
Collection d'Arias d'amour et de tristesse

Collection d'Arias d'amour et de tristesse

Arias de différents compositeurs : Samuel Gurwitsch, Contrebasse Gary Karr, Contrebasse Misha Dacic, Piano
12/05/2021
Total views: 20
15/05/2021
Arias de différents compositeurs
Sinadin

Sinadin

Sinadin (Dejan Sinadinović) is a Yugoslav pianist and a music pedagogue. He is a full professor of piano at the Faculty of Music of the University of Arts in Belgrade, Serbia. He completed graduate studies in piano performance at the Faculty of Music (Belgrade, Sebia) under the tutorship of Arbo Valdma (a former student of Bruno Lukk who studied piano with Arthur Schnabel and Paul Hindemith). He also pursued postgraduate studies at the Moscow State Conservatory P. I. Tchaikovsky with a supervisor Eliso Virsaladze (a former student of Yakov Zak and Heinrich Neuhaus). He took part in numerous chamber music performances and during last ten years gave more than one hundred solo piano recitals throughout Europe in notable music venues (Italy, France, Spain, Poland, Germany, Belgium, Switzerland, United Kingdom, Montenegro, Greece, Northern Cyprus, Denmark, Russia, Romania). Most recently, he performed with Synergia6 ensemble in Croatia (Dubrovnik Summer Festival, Osor Musical Evenings and International Music Festival in Zadar). He has collaborated with various orchestras accross the world working with conductors such as Mladen Jagušt, Vassily Sinaisky, Vladimir Kiradjiev, Rolf Beck, Jean-Francois Antonioli and others. Among others, he performed with W. Lutosławski Philharmonic (Wrocław, Poland), Rzesow Philharmonic (Poland), Transylvania State Philharmonic Orchestra (Romania), Belgrade Philharmonic Orchestra (Serbia), The Symphony Orchestra of the Serbian Broadcasting Corporation (Serbia), Artistic ensemble of the Ministry of Defence “Stanislav Binički” (Serbia), Orchestra Sinfonica di Roma (Rome). He joined forces with many distinguished chamber ensembles such as Synergia6 (international), Artis Quartet (Vienna), Minetti Quartet (Vienna), Meridies String Quartet (Italy) and Camerata Serbica (Belgrade).. As a great enthusiast for chamber music he affiliated with a number of exceptional musicians including sopranos Katarina Jovanović (Serbia) and Aneta Ilić (Serbia), violinists Nemanja Radulović (France), Tijana Milošević (Serbia), Oleksandr Semchuk (Italy), clarinetist Milan Milošević (Canada), cellists Sadra Belić (Serbia) and Niklas Eppinger (Germany) and bassoonist Žarko Perišić (Austria/Croatia). He was an artistic director and a conductor of The New Moment Ensemble which hosted some of the most prominent instrumentalists from the Balkans. With this orchestra he participated in the production of Michael Nyman’s opera The Man Who Mistook His Wife for a Hat, both as a pianist and a conductor. It took place in the festival “Ideas- Campus” in 2002 (Piran, Slovenia) under composer’s supervision. Later that year, The New Moment Ensemble performed this opera at one of the most prestigious international festivals of theatre and performing arts in the South East Europe, the BITEF festival in Belgrade. Appart from the teaching position at the Faculty of Music, University of Art in Belgrade, Deyan Sinadinovich was appointed a Vice Dean of the faculty (2002–2006). He was chair of the Department of Music at the Academy of Fine Arts in Belgrade (1998–2006) where he also taught piano performance. He gave lectures and master classes in Kotor (Montenegro), Subotica (Serbia), Belgrade (Serbia), Girona (Spain), St. Petersburg – Rimski Korsakov Conservatory (Russia), Ateneo Basilicata (Italy), London (England). He is currently the president of European Piano Teachers Association in Serbia. He published three CD’s with his live recordings for the Spanish label KNS Classical performing the works of Franz Liszt, Robert Schumann, César Franck, Alexander Scriabin. In 2021 he published another eight CDs for Parisian Anima-Records. Deyan Sinadinovich stood behind several music festivals and series of concerts such as Piano Chamber Festival in 2005 (Belgrade), Emil Hayek Festival (Belgrade) and The Spring Piano Feast (Belgrade). Owing to that, he established a reputation of an adept programme director. (May 2021)
18/05/2021
Total views: 12
26/06/2021
Concert Pianist

Concert : Enesco Quartett and Bertrand GIraud piano

Samedi 27 Avril 2024 à 20h30 au Conservatoire ODE 17-21 Rue Solférino, 92170 Vanves Beethoven Quatuor opus 59 n°3 Dvorak Quintette opus 81
18/03/2024
Total views: 4
27/04/2024
Pinao, quartett
Conservatoire Ode, vanves
Beethoven, Dvorak
Schumann et son univers

Schumann et son univers

Cd chez Indesens Calliope Yann Passabet-Labiste Violon et Bertrand GIraud piano
11/03/2024
Total views: 17
19/04/2024
Schumann Romances, Fae Sonata, Sonata n°3; Clara Schumann 3 Romances
Bertrand Giraud, piano

Bertrand Giraud, piano

Musique Classique Pièces de Franz Schubert et Fédéric Chopin Entrée libre
08/03/2023
Total views: 5
12/03/2023
Piano
Les concerts de Saint-Merry
Nocturnes et Marines. Hélène Rusquet Piano

Nocturnes et Marines. Hélène Rusquet Piano

Cd "Nocturnes et Marines" Œuvres de Guy Ropartz, Gabriel Dupont et Gabriel Fauré Piano bechstein
28/02/2023
Total views: 6
01/03/2023
available on https://www.entremuses.com/
Ensemble Equinox, Anne Laffilhe

Ensemble Equinox, Anne Laffilhe

L'ensemble EquiNoX accompagné de Murielle Petit et Bertrand Giraud au piano à 4 mains vous propose un programme autours de J. Brahms et R. Schumann avec : - Spanisches Liderspiel Op.74, R. Schumann - Liebeslieder Waltzes Op.52, J. Brahms - Danses hongroises (Extraits), J. Brahms Si 20 ans séparent la composition des deux cycles de lieder pour quatuor vocal, on ne peut renier l’étrange lien de filiation qui s’y trouve. L’alternance quatuor et solo, les thèmes d’amours plus ou moins heureux, la force de l’expression de la musique romantique à son paroxysme sont autant d’éléments qui unissent les deux œuvres. Et pourtant, dans chacune l’identité du compositeur est bien présente : ambivalence des sentiments et de l’expression mélodique dans l’œuvre de Schumann, rythme de valse qui dissimule une profondeur musicale dans celle de Brahms. Composées sensiblement à la même époque que les Liebesliederwalzer, les Danses hongroises puisent leur inspiration dans la musique populaire. Elles viennent dans ce programme illustrer avec majesté la force de l’écriture pianistique pour quatre mains de Brahms. Samedi 12 février à 19h Salle Olivier Messiaen, Grenoble
06/01/2022
Total views: 14
12/02/2022
piano, choeur
Salle O.Messiaen, Grenoble
Schumann opus 74, Brahms opus 52